Saturday
14 April 2007
Princeton University
Helm Auditorium
McCosh 50
Registration and coffee
8:30 – 9:30 a.m.
Morning Session
9:30 a.m. – 12:30 p.m.
Welcome
Jerome Silbergeld
Princeton University
Introduction
Yukio Lippit
Harvard University
Mediating Transmission:
Images, Robes, and Narratives
James Robson
University of Michigan
Chair and discussant
From “Chan” to “Zen”: The Attainment of Authentic Japanese Zen Practice
Martin Collcutt
Princeton University
Reconceptualizing Denpoe, Robe of Transmission
Yamakawa Aki
Kyoto National Museum
Jianxin Laifu and Iko Tokken: The Transmission of Literati Culture through the Mediation of Chan-Zen Buddhism
Ide Seinosuke
Kyushu University
Afternoon Session
2:00 – 5:00 p.m.
Introduction
Dora C. Y. Ching
Princeton University
Inscribing Zen Rhetoric:
Painting Inscriptions and the
Yulu/Goroku Literatures
Thomas Hare
Princeton University
Chair and discussant
Image and Text in the Linji and Caodong Traditions: Painting Inscriptions in the Recorded Sayings of Dahui Zonggao (1089 – 1163) and Hongzhi Zhengjue (1091 – 1157)
Lara Ingeman
Indiana University
Shrimp Can’t Jump from the Scoop: Allusion and Modular Language in Chan Encomia (zan) of the Late Song and Early Yuan
Stephen Allee
Freer Gallery of Art, Washington, D.C.
Painting as Document: A Study of Wang Xizhi Writing on a Fan
Shimao Arata
Tama Art University, Tokyo
Ma Yuan’s Chan Patriarchs and the Representation of the Chan Patriarchy in the Southern Song Imperial Court
Itakura Masa’aki
University of Tokyo
Reception
5:30 – 7:00 p.m.
Princeton University Art Museum
Sunday
15 April 2007
Princeton University
Helm Auditorium
McCosh 50
Registration and coffee
8:30 – 9:30 a.m.
Morning Session
9:30 a.m. – 12:30 p.m.
Introduction
Jacqueline I. Stone
Princeton University
Communitas and Landscape:
The Poem-Picture Scroll Tradition
Helmut Brinker
Emeritus, University of Zürich
Chair and discussant
Painting Outside Painting (gagai no ga/hua wai hua): Thoughts on Shigajiku/Poem-Picture Scrolls by Zen Monks
Yoshiaki Shimizu
Princeton University
The Man Makes the Place: Poem-Picture Scrolls in Fourteenth-Century China
David Sensabaugh
Yale University Art Gallery
A Folding Screen in Ashikaga-Shogun’s Residence
Nishiyama Mika
Independent Scholar
Afternoon Session
2:00 – 5:00 p.m.
Introduction
Sinead R. C. Kehoe
Princeton University Art Museum
“Zen Art” and Its Recent Modernities
Robert Sharf
University of California, Berkeley
Chair and discussant
Zen and Japanese Cinema
Mitsuhiro Yoshimoto
New York University
Does a Zen Rock Garden Re-present Emptiness?
Yamada Shoji
Research Center for Japanese Studies, Kyoto
Postcolonial Feminist Methods for the Study of Zen Buddhist History
Joseph Parker
Pitzer College, the Claremont Colleges
Conclusion
Gregory P. Levine
University of California, Berkeley
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