![]() |
Spring 2004 Course Offerings ECS 320/ ART 330 Professor Francisco Prado-Vilar What defines the human condition is not reason itself but, rather, the
capacity to endow suffering with meaning. This course examines a wide
variety of discourses that have frames, instrumentalized and promoted
the representation of physical suffering in European visual culture,
from the Christian theology of punishment and redemption to political
ideologies of social control. Focusing on a diverse set of works, ranging
from Gothic illumination to photojournalism, the course explores topics
such as the iconography of the Passion, the phenomenon of martyrdom,
the structure of torture, images of war, and others.
This course will examine the complex past and present relationships
between European countries and their former African colonies via films
about displacement and exile. Our primary texts will be European and
African films that represent Europeans in Africa and Africans in Europe,
films both from and about both the colonial and postcolonial periods.
From tales of European "explorers" in the "Dark Continent," we
will move on to post-independence African retellings of colonization,
and then continue with African and European filmings of the changing
stories of African students and immigrants in Europe from the 1950s to
the present day. Accompanying readings will provide historical background
as well as theoretical support for our analysis of the films.
This course will provide an intensive introduction to the cultural and
political stirrings of the 1960s on both sides of the Atlantic. Attention
will be paid to intellectual convergences and influences as well as differences.
This course examines the 18th century emergence of the Jewish Enlightenment
(Haskalah), and tracks the ways in which the confrontation with modernity
motivated the 19th century ideal of reforming Jewish society and religion.
We will also examine contemporary experiments in self-fashioning undertaken
by Jewish men and women, who encountered the contradictions between European
culture and Jewish ethics in their own lives. At the same time, we will
explore how the powerful impact of Enlightenment shaped a radical critique
of Jewish modernity that crystallized into a variety of 20th century
movements (e.g., socialism, nationalism, traditionalism). *This class will count toward credit for the ECS certificate.
|
Program in European Cultural Studies Princeton University Humanities Programs Building, Room 207, Princeton, NJ 08544 Director: Anson Rabinbach (rabin@princeton.edu) Program Manager: Peggy Reilly (mjreilly@princeton.edu) 609-258-4713 -- fax 609-258-6866 |